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PLEASE NOTE:

The following items are extra pieces of Johnstone, which are not planned for publishing preparation but are presented here (generally) in a clear hand-written manuscript copy in a PDF file. We are very pleased for you to have a copy of these works. You are free to make any additional photocopies, and to publicly perform or record the work.

FREE PUBLICITY - If you care to inform of any public performance, no matter how important or not the event might be, we would be happy to give your event free publicity on the johnstone-music web page. To take advantage of this, simply visit the ‘Contact’ section in www.johnstone-music.com and leave a message with the details in ‘Performances’!   Please try to write, if possible, 2 weeks or more in advance with any information so we are able to prepare the details (but in any case do write all the same, even if just before the performance!).

COMPOSITIONS:



All visitors to this page should note that most of the important compositions of David Johnstone are commercially published in beautiful presentations by CREIGHTON'S COLLECTION - and these works can be seen clearly in the johnstone-music Web Page in both the 'Sheet Music' and the 'Shopping' sections. It is well worthwhile to enter the publisher's own site at www.creightonscollection.co.uk - clicking into 'Sheet Music' and then into 'Johnstone Music'. There you can find full details of every published work, and be able to browse for programme notes, front cover images, music page samples, an updated catalogue, and (often) music audio extracts.

Enjoy the music!!!


COMMENTS:

Thank you for sharing your talent.

Gracias por compartir tu talento

VERONICA MARTINEZ - North American Oboist (California)

I'm Dominique Enon, oboist from Paris. I've just got your Oboe Sonata! Very interesting work which certainly be included in a next concert program.

Soy Dominique Enon, oboísta de Paris. Acabo de tener tu Sonata para Oboe! Una obra interesante que ciertamente será incluida en un programa próximo.

DOMINIQUE ENON - Professional Oboe Soloist, Paris

La Sonata Lírica para fagot y piano de D. Johnstone es una pieza de un evidente carácter expresivo y poético. Sin duda ayudará al joven fagotista de nivel medio a explorar/descubrir sonoridades interesantes/atractivas, gracias a las variadas modulaciones que se producen en el discurso musical, lo que le confiere a la pieza una riqueza expresiva.

The Sonata Lirica for bassoon and piano of D. Johnstone is a works of an evident expressive and lyrical character. Without doubt it will help the young bassoonist of medium-advanced level explore/discover interesting and attractive sonorities, thanks to varying modulations which are encountered in the course of the musical argument, which give the piece an expressive richness.

JOSE MANUEL RAUSELL - Spanish Bassoonist, Principal of the La Rioja Conservatoire (Spain)

Hallo David, thank you for this information. I just downloaded your oboe piece and it looks very good.

Hola David, gracias por esta información. Acabo de descargar tu obra de oboe y tiene muy buen aspecto..

PETER TAVERNARO - Professor Oboe, Bruckner University, Linz, Austria

I did receive the music and everything looks fantastic. Must tell you I'm surprised at the seeing of my image on the front cover!!

Yo recibí la partitura y todo me parece fantástico. Tengo que decir que es una sorpresa ver mi imagen en la portada!!

ERNESTO SCHMIED - Recorder soloist based in Spain

I've played through the Solo Oboe Sonata once so far on the Piano. There are a handful of priceless phrases in there which if I was a plagiarist I would happily pinch and use as a starting point for some of my own work. But do not fear, I will not do that !! You actually use complex bi-tonal arpeggios most of the time which by my standards, are fine. However, the resounding ending in E flat to my ear works perfectly and is a fitting climax to the work. General comments - well done & hope to hear a live performance some time soon!

He tocado de principio a fin la Sonata para Oboe Solo una vez hasta ahora en el piano. Si emplease plagio hay un número de frases invalorables que robaría y usar como punto de salida para mi propia obra. Pero no te preocupes, no lo haré!! De verdad, usas arpegios bi-tonales complejos mucho del tiempo que por mi estimación está muy bien. Sin embargo, el finale sonoro in Mi bemol funciona perfectamente y es un climax muy adecuado a la obra. Comentarios generales - enhorabuena, y espero poder escuchar una actuación en directo antes de mucho!

JONATHAN S. FEBLAND - British professional composer

...download original music scores

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