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BEETHOVEN – 3 Equale – FOUR CELLOS

Other Identification:
It is known that in 1812 Ludwig van Beethoven composed the Three Equali for Four Trombones (WoO 30) for the Linz Cathedral Kapellmeister Franz Xaver Glöggl. A letter from Glöggl to Robert Schumann, however, suggests that the composer originally composed four pieces – one page of the manuscript most likely became detached.

In addition, there are known arrangements of the Equali nos. 1 and 3 by Ignaz von Seyfried (1776–1841) with Latin texts, which were performed at Beethoven’s funeral in 1827 and published in the same year by Tobias Haslinger (1787–1842). The Equale no. 2, finally, was sung with a poem by Franz Grillparzer (1791–1872) at Beethoven’s grave in November 1827 and was also published in 1829.

The title of Beethoven’s work, ‘Drei Equale für vier Posaunen’ is derived from the mediaeval Latin musical term ad equales or a voce (or a parte) equali. It designates two or more performers who sustain an equally difficult and important part (‘equal voices’) in either vocal or instrumental music, written for a particular restricted range of voice parts.

Movements or sections:
Three small short movements.

Instrumentation:
QUARTET OF FOUR CELLOS
Prepared by David Johnstone
1 PDF – Cellos 1 an 2 have their music written out transferred to the tenor clef; however, Cellos 3 and 4 read from the general ‘Playing Score’

Approximate difficulty:
Medium (plenty of tenor clef reading!)

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