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MEXICO traditional – ‘Mexican Hat Dance’ – FOUR CELLOS (easier)

Other Identification:
The “Jarabe Tapatío”, better known internationally as “The Mexican Hat Dance”, is a popular Mexican dance also popular in other countries such as Cuba, Peru, and the Dominican Republic, that has come to symbolize Latin America both domestically and internationally. The word jarabe is likely from the Arab word xarab which means “herb mixture”. Tapatío is a nickname for the people of Guadalajara . The jarabe tapatío shares its name with a number of dances from the centre and south of Mexico, including the jarabe de Jalisco, the jarabe de atole and the jarabe moreliano, but the tapatío version is by far the best known.

The dance represents the courtship of a man and a woman, with the woman first rejecting the man’s advances, then eventually accepting them. It has a definite sexual component in metaphor, which was the original reason for disapproval by authorities. As the dance has lost its controversial status and gained status as a representative of Mexico, the dancers have come to wear garb that is also highly representative of Mexican women and men.
Movements or sections: marked ‘Vivo – allegro moderato’
The music played to accompany the dance was originally written to be danced to and was played either by mariachi bands or by bands playing only string instruments such as various types of guitars, harps and violin.
Instrumentation: QUARTET OF FOUR CELLOS (easier)
Possible with larger cello ensembles

Downloads of 2 PDFs:
[1 – General Score
[2 – All individual parts
Approximate difficulty: EASY to MEDIUM.
The left-hand notes are relatively easy – one barely moves out of first position – but if the velocity is taken onboard then the “speedy” side the rhythms are certainly more difficult! It has been produced and prepared on a shorter based sketch by Eva Niño. In its present format all cellists share moments of the main melody – indeed it almost becomes a chamber music work for cello quartet whilst retaining the popular spirit. Very good to work on for elementary ensemble cellists, and a fun ‘encore’ piece for more advanced cellists!

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