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JOHNSTONE – Sonatina en forme de Milonga – VIOLIN AND ACCORDION (with optional DOUBLE BASS OR CELLO)

Other Identification:
SONATINA EN FORME DE MILONGA is a work for the (still) rather unusual combination of violin and accordion, and in this case with the extra double bass part being optional. It is set in a loose sonata form and should be considered a true chamber music piece, and not merely a solo for violin. The performance duration in total may vary considerably from performance to performance, but should be somewhere between six-and-a-half to seven minutes.
Movements or sections:
There are two main themes, the first of which bears a certain resemblance with the ‘feel’ of the main theme to Piazzolla’s ‘Oblivion’ whilst the second theme contains a repeated ascending scale-like motive – both of these cantabile melodies are accompanied by similar gentle undulating arpeggio figures. There are also small hints to a chorale motive (a la Bruckner!) which sometimes have connections to virtuosic cadenzas for the violinist.
Instrumentation:
DUO OF VIOLIN AND ACCORDION – WITH OPTIONAL CELLO OR DOUBLE BASS
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3 PDFs
PDF 1 – Accordion Part/duo score
PDF 2 – Violin Part
PDF 3 – Optional double bass/cello parts
Approximate difficulty:
Medium to Difficult
Dedicatee of this presentation (if applicable):
The work has a double dedication – both to Yorrick Troman (the leader of the Navarre Symphony Orchestra and member of the extraordinary trio ‘Les Tromano’) and Nekane Iturrioz (the head accordion professor at the Navarre Advanced Conservatoire of Music).
There also exists a second version, with cello soloist instead of violin – this has the title “Mireia’s Milonga”.
Links (Audio – Visual), and known performances given by: https://www.youtube.com/watch?v=9WvqYArb0vg

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