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MOZART – Alleluja (from the Exsultate Jubilate, 1773) – FOUR CELLOS

Other Identification:
The most famous “Alleluia” by Wolfgang Amadeus Mozart is the final movement of his motet Exsultate, Jubilate, K. 165, composed in 1773 for the castrato singer Venanzio Rauzzini. This high-spirited, joyful movement showcases Mozart’s confidence after his opera-house success and is considered a “jewel” of a piece, though it was technically written for liturgical use.

The work has four sections:
Exsultate jubilate – Allegro (F major)
Fulget amica dies – Secco Recitative
Tu virginum corona – Andante (A major) Alleluja – Molto allegro (F major)

Although nominally for liturgical use, the motet has many features in common with Mozart’s concert arias, such as those drawn from his operas. Mozart also used elements of concerto form in this motet; therefore, a version for cello quartet of the Alleluja is totally plausible. It features a lively melody that gives the piece its divine character and is often arranged for bands, choirs, and other ensembles.
Movements or sections:
marked ‘Allegro’
Instrumentation:
QUARTET OF FOUR CELLOS
Arranged by David Johnstone

2 PDFs:
1] – General Score
2] – All individual parts
Approximate difficulty:
David Johnstone transposes the piece into C Major so as to be more comfortable for the cello registers. Even so, it is moderate-to-quite-difficult for cellists, and should be always performed by four cello soloists and not an orchestra of cellos!
Dedicatee of this presentation (if applicable):
this arrangement is dedicated to the lovely Austrian cellist Irmi Wolwin

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Johnstone Music has been performed by orchestras and conservatories worldwide, earning international recognition in cello repertoire.