Descripción

PDF 1 – General Score

PDF 2 – Violin 1 part

PDF 3 – Violin 2 part

PDF 4 – Viola part

PDF 5 – Cello part

PDF 6 – Double Bass part

PLEASE NOTE THAT THIS STRING ORCHESTRA MUSIC IS NOT EXACTLY THE SAME MUSIC AS  THE CHAMBER MUSIC QUINTET WORK OF THE SIMILAR TITLE (AND THEREFORE SHOULD NOT BE USED FOR ORCHESTRA!)

NOCTURNO-ROMANZA, also known by its sub-title of ‘Rosa Maria’, is an unashamedly highly romantic piece for string orchestra that clearly follows the traditional manner of string writing of the mature romantic composers, above all fondly remembering Tchaikovsky and Dvorak. It is set in a large-scale ternary form, with each section also containing additional episodes. The principal opening melody, which reoccurs a number of times, is one of those long lyrical outpourings that are ideally suited to the first violin section; the gradually soaring line should give ample opportunity to develop a weighty bow contact and expressive vibrato. A secondary theme is rather more playful and light.

The middle section accelerates somewhat, and features small solos from some of the principal players. The intensity is almost equally conveyed in the major and minor keys. After a high climax, the first main section returns, as if a gentle reminiscence, but soon grows again with the incorporation of a number of variants with respect to the opening of the piece.

The short coda again makes the briefest reference to the middle section; however it does not seem to be able to ‘conjure’ up any intensity this time, and so, with absolute tranquillity the music the music comes to a close.

The piece is, again unashamedly (!), dedicated to the Spanish wife of the composer – Rosa María Yáñez. The duration of the work, depending on how leisurely and expressively played, lasts between eight and nine minutes. It was first programmed by the orchestra ‘Sinfonietta Academica’ in Tolosa (in the Basque Country, Spain), conducted by Caroline Collier at the end of the 1990’s. This same orchestra also gave further public performances of the piece.

Examples:

A note from David:

“If you wish to have a very professional quality copy of this music, set with high quality paper in a deluxe edition please contact the publisher CREIGHTON’S COLLECTION for a prompt delivery at an economical price – recommended for performance. It has a sharpness of image superior than you will find in the Johnstone-Music web shop”.

 [Creighton’s Collection
244 Cathedral Road, Cardiff, CF11 9JG, Wales, Great Britain
Tel. [+44] 29 2039 7711 (from within G.B. 029-2039-7711)
Or by Internet: www.cccd.co.uk / E-mail: tim/ at /creightonscollection.co.uk ]

Bienvenidos a Johnstone-Music! Una gran web anglo-hispano para MÚSICOS y especialmente para CELLISTAS – partituras originales para los instrumentos orquestales y teclado. Artículos, audios, videos, recursos, catálogos, noticias, etc. Web oficial del violoncellista profesional David Johnstone, primer violoncello de la Orquesta Sinfónica de Navarra, intérprete de música de cámara, y solista en muchos estrenos. Cientos de arreglos de cello en la web por un precio simbólico de 1.00€ por descarga o gratis. https://johnstone-music.com

Las siguientes organizaciones han llevado su trabajo, a veces con colaboraciones especiales como compositor-arreglista-intérprete: la Orquesta de Filadelfia, la Orquesta Sinfónica de Euskadi, la Orquesta Sinfónica de Venezuela, la Orquesta Nueva Generación de Montreal, la Orquesta Gulbenkian (Lisboa), la Orquesta de Cámara del Locarnese (Suiza), The Zagreb Soloists, la Orquesta de Cámara «Zazerkalye» del Teatro Musical de San Petersburgo, la Orquesta de Cámara de Wroclaw Leopoldinum (Polonia), la Orquesta Filarmónica de Auckland (Nueva Zelanda), Camerata Cambrensis (País Vasco), Essener Philharmoniker (Alemania), Ensemble Metamorphosis de Belgrado (Serbia), con Ara Malikian (Orquesta Non Profit Music – Madrid), y una larga etc. Actualmente, muchos cursos, conservatorios y escuelas de música, departamentos universitarios de cuerdas, etc. usan su repertorio; hay docenas de sus arreglos en ‘YouTube’ …

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