SCHÜTT, Eduard – SLAVONIC LAMENT, Op.53 (c.1897) – SOLO CELLO and PIANO
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Description
SLAVONIC LAMENT, Op.53 (c.1897) – Eduard SCHÜTT
prepared for SOLO CELLO and PIANO by David Johnstone
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PDF 1- Both cello and piano parts
EXAMPLE from the cello part:
Notes:
Slavonic Lament, Op.53, is an instrumental piece in the form of a song that became once well-known through the recording and concert performances by Fritz Kreisler. It is a beautiful miniature lasting less than three minutes.
Eduard Schütt was born in Saint Petersburg, Russia, in 1856. His father was a skilled cellist, and the family was acquainted with the pianist Anton Rubinstein. At the age of sixteen, Schütt decided to pursue an artistic career, against the opposition of his father. However, Rubinstein’s influence ultimately convinced Schütt’s father to let him pursue his artistic aspirations. He graduated from the St. Petersburg Conservatory in 1875 with distinction. In 1876, he travelled to Leipzig and studied under Salomon Jadassohn, Ernst Friedrich Richter, and Carl Reinecke. After completing two years of study in Leipzig, he journeyed to Vienna, where he studied with Theodor Leschetizky. Schütt was very much in favour by Leschetizky, and the two remained close lifelong friends.
During the following few years, Schütt concertized in Hungary, Austria, and Bohemia. Around 1882, he composed and premiered his first piano concerto, Op.7, in several major European cities. From 1881 to 1887, he was conductor of the Wiener Akademischer Wagner-Verein (the Vienna Academic Wagner Society). His skill was such that in 1887, he declined an invitation from Cosima Wagner to become the music director for the Bayreuth Festival to be able to devote himself fully to composition. In Vienna he occupied himself with a limited amount of teaching. He died in Vienna in 1933.
Throughout his life, Schütt composed a wide range of works, primarily for the piano, from miniature piano pieces to piano concertos, trios, and suites. He also composed a comic opera. For the cello he composed a ‘Fantasie in A major’ for cello and piano, Op. 63, and ‘Two Mélodies’ for cello and piano, Op. 70. The Slavonic Lament of the 1890s (first published in 1897) is now an extra possibility for cellists – enjoy the music!
ENGLISH
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