Description

HENRIQUES, Fini – Andante Religioso, Op.22/9 – 3 CELLOS/CELLO TRIO – Scandinavian/Baltic Cello Trios Series 14

PDF 1 – General Score / Partitura General

PDF 2 – All Individual Parts / Todas las partes Individuales

Scandinavian/Baltic Cello Trios Series

COMPLETE LISTING/LISTADO COMPLETO – Concert Pieces:

1 – Valse, Op.59/3 – Christian SINDING
2 – Wagenlied (Berceuse) – Emil HARTMANN
3 – Serenade (‘Wetterleuchten’) – P.E. LANGE-MÜLLER
4 – Lied des Wüstenmädchens (Song of the Desert Maiden) – Otto MALLING
5 – Romance, Op.26 – Johan S. SVENDSEN
6 – Rustic Dance (from the Opera ‘Little Kirsten’) – J.P.E. HARTMANN
7 – Ave, Maris Stella – Edvard GRIEG
8 – Mückentanz (Dance of the Gnats), Op.20/5 – Fini HENRIQUES
9 – Wiegenslied (Berceuse) – Niels W. GADE
10 – Gavotte, Op.50/5 – Christian SINDING
11 – Sérénade, Op.132/4 – Ludvig SCHYTTE
12 – Chant de ‘Veslemöy’ (La jeune fille qui chante) – Johan HALVORSEN
13 – Capriccio (Mazurka) – Nicolaj HANSEN
14 – Andante Religioso, Op.22/9 – Fini HENRIQUES
15 – Liebesgesang (Song of Love) – G.C. BOHLMANN
16 – Solitude on The Mountain (Sehnsucht der Sennerin) – Ole BULL

In arrangements for THREE CELLOS Prepared by DAVID JOHNSTONE

Level of difficulty: Medium-to-difficult

All pieces in this series are dedicated to OLA KARLSSON,

a wonderful Swedish musician with a lifetime of experience as solo cellist, orchestral principal cello, chamber musician, recording artist, cello professor, and conductor

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EXAMPLE:

Notes:

Valdemar Fini Henriques (baptized ‘Finni’) (born 20th October 1867 at Frederiksberg – died 27th October 1940 in Copenhagen) was a Danish composer and violinist.

His parents were the hospital inspector and justice counsel Vilhelm Moritz Henriques (1828-1889), who was of Jewish origin, and Marie Christine Rasmussen (1826-1913). He was brother-in-law to the doctor and philosopher Severin Christensen.

From 1888 – 1891 he was in Berlin, where he studied with the famed violinist Joseph Joachim and the composer Woldemar Bargiel, who was a half-brother to Clara Schumann. After a spell in Copenhagen, he returned for one year to Germany and Austria. At the time of his return to Denmark, he was employed in the Royal Chapel in 1892, initially as a violist and later as a violinist. However, after a clash with Frederik Rung, he resigned in 1896 to live a freer life as a composer, educator and concert violinist, a career that soon made him a popular figure.

He formed his own string quartet and founded the chamber music association Musiksamfundet, which he chaired until 1931. He also travelled as a concert soloist, chamber musician and conductor in the Nordic countries as well as farther afield, such as to Paris and Berlin. He sat on the board of Danish Composers’ Society, he was given the accolades of Knight of Dannebrog (1921) and of Dannebrogsmand (1937). As a young man he developed a friendship with Carl Nielsen which was to last until Nielsen’s death in 1931.

Fini Henriques, as a composer, concentrated more on the smaller musical forms. Henriques’ music is considered open and welcoming, and was very popular in his lifetime. He wrote mostly for his own instrument — the violin — in addition to songs and piano music. As well as various pieces for chamber groups and smaller orchestral works, Henriques also wrote occasionally for large forces; these include even symphonies operas, and ballets. Some notable works include ‘The Little Mermaid’ (1909) and ‘Tata’, the opera ‘Stærstikkeren’ (1927) with text by CM Norman-Hansen, and ‘Vølund Smed’ (composed in 1896) with text by Aage Barfoed after Holger Drachmann.

Fini Henriques’ son, the musician Johan Henriques, became the principal 2nd violin in the Royal Chapel, where his father had worked for almost four years as a violinist.

ENGLISH

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