Description

HARTMANN, J.P.E. – Rustic Dance (from the Opera ‘Little Kirsten’) – 3 CELLOS/CELLO TRIO – Scandinavian/Baltic Cello Trios Series 06

PDF 1 – General Score / Partitura General

PDF 2 – All Individual Parts / Todas las partes Individuales

Scandinavian/Baltic Cello Trios Series

COMPLETE LISTING/LISTADO COMPLETO – Concert Pieces:

1 – Valse, Op.59/3 – Christian SINDING
2 – Wagenlied (Berceuse) – Emil HARTMANN
3 – Serenade (‘Wetterleuchten’) – P.E. LANGE-MÜLLER
4 – Lied des Wüstenmädchens (Song of the Desert Maiden) – Otto MALLING
5 – Romance, Op.26 – Johan S. SVENDSEN
6 – Rustic Dance (from the Opera ‘Little Kirsten’) – J.P.E. HARTMANN
7 – Ave, Maris Stella – Edvard GRIEG
8 – Mückentanz (Dance of the Gnats), Op.20/5 – Fini HENRIQUES
9 – Wiegenslied (Berceuse) – Niels W. GADE
10 – Gavotte, Op.50/5 – Christian SINDING
11 – Sérénade, Op.132/4 – Ludvig SCHYTTE
12 – Chant de ‘Veslemöy’ (La jeune fille qui chante) – Johan HALVORSEN
13 – Capriccio (Mazurka) – Nicolaj HANSEN
14 – Andante Religioso, Op.22/9 – Fini HENRIQUES
15 – Liebesgesang (Song of Love) – G.C. BOHLMANN
16 – Solitude on The Mountain (Sehnsucht der Sennerin) – Ole BULL

In arrangements for THREE CELLOS Prepared by DAVID JOHNSTONE

Level of difficulty: Medium-to-difficult

All pieces in this series are dedicated to OLA KARLSSON,

a wonderful Swedish musician with a lifetime of experience as solo cellist, orchestral principal cello, chamber musician, recording artist, cello professor, and conductor

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EXAMPLE:

Notes:

Johan Peter Emilius Hartmann (14th May 1805 – 10th March 1900) is generally considered, together with his son-in-law Niels W. Gade, the leading Danish composers of the 19th century. According to Alfred Einstein, he was ″the real founder of the Romantic movement in Denmark and even in all Scandinavia″.

J.P.E. Hartmann was the third generation of composers in the Danish musical Hartmann family. He was born and died in Copenhagen, Denmark, the son of the composer August Wilhelm Hartmann (1775–1850) and Christiane Petrea Frederica Wittendorff (1778–1848), and the grandson of composer Johann Hartmann (1726-1793), also renowned as a major Danish composer of the 18th century who had originally emigrated to Denmark from Silesia. Although J.P.E. Hartmann received his music lessons initially from his father, he was, rather surprisingly, largely self-taught. However, his curiosity and desire to ever improve bode him well throughout his life.

Still a teenager (1824) he was to become the organist at the Garnisons Kirke in Copenhagen, and in 1832, he made a first major impression as composer on audiences with the opera ‘Ravnen’. This opera even received a long and positive review from Robert Schumann.

In 1829, he married Emma Sophie Amalie Zinn (1807–1851), herself a composer. One of their sons, Emil Hartmann (1836–1898) also became a renowned composer, while their son Carl Christian Ernst Hartmann (1837–1901) became a sculptor. Two of their daughters married composers; Emma Sophie (b. 1831) married Niels Gade and Clara (b. 1839) married August Winding (1835–1899).

After several European study tours where he became acquainted with numerous famous composers, he founded the Copenhagen Music Society (Musikforeningen) in 1836, remaining its chairman until the end of his life. In 1843, he transferred posts from Garnisons Kirke to play the organ for Copenhagen’s cathedral, the Vor Frue Kirke, and he became the director of the Student Choral Association. He held both these posts until his death in 1900.

Hartmann’s works are characterized by artistic seriousness, dramatic vitality, and in particular, by national colouring. The Nordic elements, which can be discerned in the themes based on folksongs, modulations, and the tendency towards rather dark sounds, emerged strongly after the 1830s. Hartmann united these Romantic influences with a strong control over both form and theme, acquired through his classical training which never ever ceased! Later compositions, such as the monumental A-Minor piano sonata or some Overtures bear some similarities with Brahms. Not only that, there are even pre-modernist accents in many of his last pieces pointing notably to Carl Nielsen.

Overall, his music displays a wonderful diversity, going from humour and poetry to drama and tragedy. There are no original cello solo/recital works for cello, except in chamber music groups, although he did write a number of works (sonatas, etc.) for violin.

ENGLISH

Welcome to Johnstone-Music! A big Anglo-Spanish web for MUSICIANS and especially CELLISTS – original music scores for orchestral instruments and keyboard. Plus articles, audios, videos, resources, catalogues, news etc. Official web of the professional cellist David Johnstone, principal cello Navarre Symphony Orchestra (Spain), chamber musician and soloist in many premieres. Hundreds of cello arrangements in the web for a symbolic charge per download or for free.

The following have taken his work onboard, sometimes with special collaborations as composer-arranger-performer: the Philadelphia Orchestra, Orquesta Sinfónica de Euskadi, Orquesta Sinfónica de Venezuela, Orchestre Nouvelle Generation de Montreal, the Gulbenkian Orchestra (Lisbon), Orchestra da Camera del Locarnese (Suiza), The Zagreb Soloists, the Saint Petersburg Musical Theatre “Zazerkalye” Chamber Orchestra, the Wroclaw Chamber Orchestra Leopoldinum (Poland), Auckland Philharmonic Orchestra (New Zealand), Camerata Cambrensis (Basque country), Essener Philharmoniker (Germany), Ensemble Metamorphosis of Belgrade (Serbia), with Ara Malikian (Non Profit Music Chamber Orchestra – Madrid), and a long etc.. Currently, many courses, conservatoires and music schools, university String departments etc. use his repertoire; there are dozens of his arrangements on ‘You Tube’ …

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