HARTMANN, Emil – Wagenlied (Berceuse) – 3 CELLOS/CELLO TRIO – Scandinavian/Baltic Cello Trios Series 02
- August 5, 2022
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- daib0
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Description
HARTMANN, Emil – Wagenlied (Berceuse) – 3 CELLOS/CELLO TRIO – Scandinavian/Baltic Cello Trios Series 02
PDF 1 – General Score / Partitura General
PDF 2 – All Individual Parts / Todas las partes Individuales
Scandinavian/Baltic Cello Trios Series
COMPLETE LISTING/LISTADO COMPLETO – Concert Pieces:
1 – Valse, Op.59/3 – Christian SINDING
2 – Wagenlied (Berceuse) – Emil HARTMANN
3 – Serenade (‘Wetterleuchten’) – P.E. LANGE-MÜLLER
4 – Lied des Wüstenmädchens (Song of the Desert Maiden) – Otto MALLING
5 – Romance, Op.26 – Johan S. SVENDSEN
6 – Rustic Dance (from the Opera ‘Little Kirsten’) – J.P.E. HARTMANN
7 – Ave, Maris Stella – Edvard GRIEG
8 – Mückentanz (Dance of the Gnats), Op.20/5 – Fini HENRIQUES
9 – Wiegenslied (Berceuse) – Niels W. GADE
10 – Gavotte, Op.50/5 – Christian SINDING
11 – Sérénade, Op.132/4 – Ludvig SCHYTTE
12 – Chant de ‘Veslemöy’ (La jeune fille qui chante) – Johan HALVORSEN
13 – Capriccio (Mazurka) – Nicolaj HANSEN
14 – Andante Religioso, Op.22/9 – Fini HENRIQUES
15 – Liebesgesang (Song of Love) – G.C. BOHLMANN
16 – Solitude on The Mountain (Sehnsucht der Sennerin) – Ole BULL
In arrangements for THREE CELLOS Prepared by DAVID JOHNSTONE
Level of difficulty: Medium-to-difficult
All pieces in this series are dedicated to OLA KARLSSON,
a wonderful Swedish musician with a lifetime of experience as solo cellist, orchestral principal cello, chamber musician, recording artist, cello professor, and conductor
EXAMPLE:
Notes:
Emil Hartmann was born on 1st February 1836 in Copenhagen, the eldest son of composer Johan Peter Emilius Hartmann and of his composer wife Emma Hartmann. He was, in fact, of the fourth generation of composers in the Danish Hartmann musical family.
He was a Danish composer of considerable note in the romantic period, writing seven symphonies, concertos for respectively violin, cello and piano, several overtures, a symphonic poem, orchestral suites, serenades, ballets, operas and singspiels, incidental music and cantatas. He was also the author of multiple works of chamber music (nonet, piano quintet, string quartets, clarinet quartets, piano trios, a beautiful serenade for trio of clarinet, cello and piano, sonatas for violin and piano, etc), songs and piano music.
His music is at once recognizably Nordic, so colourful and melodic. He received great popularity in his life when his original music was performed. At the same time, his arrangements of Scandinavian folk music became famous, forming a line with Brahms’ Hungarian Dances or Dvorak’s Slavonic Dances. However, stylistically, perhaps his works form a Scandinavian branch to the music of his famous contemporaries Dvorak or Tchaikovsky. Most of his works were eagerly published by German editors.
Emil Hartmann was also a gifted conductor and went yearly on tour to Germany and elsewhere to conduct his works in the major cities, pretty much always to great acclaim. Following the decease of Niels W. Gade, he became his successor at the head of the Copenhagen Musikforeningen for a brief period but had to resign for health reasons. All his life, Emil Hartmann suffered from poor health, psychological troubles and regular depressions, and decided on several occasions to reside in psychiatric institutions for treatment.
Emil Hartmann’s highly eccentric personality was multifaceted and reflected both his great charm, his fiery temper and a darker and melancholic side. However, he had a great sense of humour!
After his death, his music fell in oblivion, but it is having a certain renaissance and revaluation in the twenty-first century.
ENGLISH
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