DOUBLE BASS CONCERTO (Concerto-Rhapsody, the ‘Romantic’), for Solo Double Bass and Chamber Orchestra

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Descripción

David Johnstone – DOUBLE BASS CONCERTO (Concerto-Rhapsody, the ‘Romantic’) – 2021

 

The principal motivation for me was to produce a highly romantic work, which might fit well alongside Koussevitsky and Bottesini … and just a few others. Some people might disagree, but I feel that there are simply not enough big romantic works for double bass and orchestra. So here you might recognize some Rachmaninov and Glazunov influences although nothing has been copied; this is all my own work.

PDF 1 – General Conductor Score – movement 1
PDF 2 – General Conductor Score – movement 2
PDF 3 – General Conductor Score – movement 3
PDF 4 – Soloist Double Bass part
PDF 5 – orchestra Violin 1 part
PDF 6 – orchestra Violin 2 part
PDF 7 – orchestra Viola part
PDF 8 – orchestra Violoncello part
PDF 9 – orchestra Double bass part
PDF 10 – orchestra flute part
PDF 11 – orchestra oboe part
PDF 12 – orchestra clarinet part
PDF 13 – orchestra bassoon part
PDF 14 – orchestra horn part

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The general score and soloist part are also FREE here:

GENERAL SCORE movement 1: https://johnstone-music.com/wp-content/uploads/2021/09/free-LR-JOHNSTONE-Concerto-Rhapsody-DoubleBass-SCORE_MOVEMENT_1.pdf

GENERAL SCORE movement 2: https://johnstone-music.com/wp-content/uploads/2021/09/free-LR-JOHNSTONE-Concerto-Rhapsody-DoubleBass-SCORE_MOVEMENT_2.pdf

GENERAL SCORE movement 3: https://johnstone-music.com/wp-content/uploads/2021/09/free-LR-JOHNSTONE-Concerto-Rhapsody-DoubleBass-SCORE_MOVEMENT_3.pdf

SOLOIST DOUBLE BASS PART: https://johnstone-music.com/wp-content/uploads/2021/09/free-JOHNSTONE-Concerto-Rhapsody-DoubleBass-DOUBLE_BASS_SOLOIST.pdf

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Here are further details:

** Dedicated to my friend JUAN CANAL

** inspired by the wonderful double bass playing of PIOTR PIOTROWSKY (see the photo below), hoping that I will be able to programme the work with him as soloist, although there are no restrictions to performances or recordings anywhere….

** Duration: approx. 26 to 28 minutes

** The double bass part is written in Soloist tuning (A, E, B, F#)

** Bar numbers are only shown in the general score – all others (including score) have ample rehearsal letters of reference.

** Scoring: Double bass soloist, violins I, violins II, violas, cellos, double basses, 1 flute, 1 oboe, 1 clarinet (both Bb and A), 1 bassoon, and 1 french horn.

** Sensible MINIMUM orchestral size of the string sections: 7 Violin I, 6 Violin II, 4 Viola, 4 cello and 2 double bass. But if more players are available in an orchestra they should be included!

** Structure: in one giant movement in Sonata form, with three different subject groups, and an extended episode appearing after the first development section serving as a slow movement, which then leads to the second development section and posterior recapitulation, rounded off by a small coda. The work is performed without a break

 

 


 

Bienvenidos a Johnstone-Music! Una gran web anglo-hispano para MÚSICOS y especialmente para CELLISTAS – partituras originales para los instrumentos orquestales y teclado. Artículos, audios, videos, recursos, catálogos, noticias, etc. Web oficial del violoncellista profesional David Johnstone, primer violoncello de la Orquesta Sinfónica de Navarra, intérprete de música de cámara, y solista en muchos estrenos. Cientos de arreglos de cello en la web por un precio simbólico de 1.00€ por descarga o gratis. https://johnstone-music.com

Las siguientes organizaciones han llevado su trabajo, a veces con colaboraciones especiales como compositor-arreglista-intérprete: la Orquesta de Filadelfia, la Orquesta Sinfónica de Euskadi, la Orquesta Sinfónica de Venezuela, la Orquesta Nueva Generación de Montreal, la Orquesta Gulbenkian (Lisboa), la Orquesta de Cámara del Locarnese (Suiza), The Zagreb Soloists, la Orquesta de Cámara «Zazerkalye» del Teatro Musical de San Petersburgo, la Orquesta de Cámara de Wroclaw Leopoldinum (Polonia), la Orquesta Filarmónica de Auckland (Nueva Zelanda), Camerata Cambrensis (País Vasco), Essener Philharmoniker (Alemania), Ensemble Metamorphosis de Belgrado (Serbia), con Ara Malikian (Orquesta Non Profit Music – Madrid), y una larga etc. Actualmente, muchos cursos, conservatorios y escuelas de música, departamentos universitarios de cuerdas, etc. usan su repertorio; hay docenas de sus arreglos en ‘YouTube’ …

Directamente desde la página inicial:

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